My BOOKS
The Midnight Special

In American popular music, we often glorify rebellious artists and “outlaws.” But The Midnight Special reveals an untold story about the way criminal justice has impacted the lives and work of US musicians. Examining five pivotal albums, Colin Asher’s narrative traces the history of twentieth-century incarceration from southern prison-farms to the heroin-driven drug war that villainized a generation of jazz artists to the dawn of mass incarceration. He argues that white artists, unlike their Black colleagues, often avoided severe punishment or even profited from jailtime. And he shows how prisons occasionally incubated talent, but more often shortened careers and distorted the public’s perception of musicians and their value to society. With keen musical analysis and thrilling biographical portraits of Huddie Ledbetter, Elmo Hope, Johnny Cash, Ike White, and Tupac Shakur, The Midnight Special writes the history of prisons into American music—a story as important as it is overlooked.
Never a Lovely so Real
For a time, Nelson Algren was America’s most famous author, lauded by the likes of Richard Wright and Ernest Hemingway. But at the height of his career, he abandoned fiction and fell into obscurity. Colin Asher’s sublime biography of Algren unravels the enigma of his disappearance, explores the richness of his novels and nonfiction writing, and explains how a rash creative decision may have led his enemies to denounce him to the FBI during the Red Scare. Asher tells Algren’s story in rich, novelistic detail, including his long-term affair with Simone de Beauvoir and the emotional breakdown that nearly cost him his life. Drawing from interviews, archival correspondence, and Algren’s 886-page FBI file, Never a Lovely So Real portrays Algren as a dramatic iconoclast and reclaims him as a towering literary figure.
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In addition to this biography, Colin Asher has also contributed to new editions of five of Nelson Algren's books: Somebody in Boots, The Neon Wilderness, The Man With the Golden Arm, Nonconformity, and Entrapment.

